SM03

List of Images

Location of images is indicated in blue/mauve text, which also operate as links. Pages will all open in the right-hand (SM) frame.

works by Josephine Regan
Bitten Eve, Bitten Eve. 2004, Crystallised sugar, height 300mm.
Australian landscapes, Australian landscapes. 2004, 25 photographic images.
Transitional objects, Transitional objects series 1. 2005, bisque fired clay, from 3 to 20 mm, variable number.
Tools and toys , Tools and Toys. 2005, various unglazed ceramics, up to 400 mm.
Ceramics pink, Transitional objects series 2. 2005/6, bisque fired stoneware, from 100 to 400 mm, variable number.
Ceramics white, Transitional objects series 3. 2006, bisque fired Abbots White. From 100 to 400 mm, variable number.
Ceramics – Occupation,
    Ceramic series 5, 2005, bisque fired Southstone, Abbots White and Brick Red. Up to 500mm, variable number.
    Ceramic series 6, 2006, Glost fired Abbots White, up to 500mm, up to 40 pieces.
    Ceramic series 7, 2006/7, Glost fired Southstone, Brick Red and blended,  up to 500mm, variable number.
    Ceramic series 8, 2006/7, bisque fired Southstone and Brick Red. Approx 90mm, variable number.
Drawing – Occupation, Drawing – Occupation, May 2005, mixed drawing media on recycled paper, each approx 1m x1 m, 25 pieces.
Drawing Series 2, Drawing series 2. 2006, mixed drawing media on  6x4 card, 77 pieces.
Drawing Series 6, Drawing series 6. 2006, mixed drawing media on  6x4 card, 48 pieces.
Drawing Series 8, Drawings series 8. 2006, oil and Conte pastels on  6x4 card, 61 pieces.
Drawing Series 12, Drawing series 12 – ontological reciprocity with flax. 2007, mixed drawing media on 6x4 card, 34 pieces.
Tiger and Exhibiting Tigers,  The Tiger. 2005, clay, wire, mesh, shredded documents, crepe paper, steel, rust, Coke cans, chair base.

Theories of motivation, Maslow's hierarchy of needs diagram. Christiansen, Charles and Elizabeth A Townsend,  Introduction to Occupation: The Art and Science of Living.  New Jersey: Prentice Hall, 2004, 127.

Agnes  Martin     
Agnes Martin, Untitled, 1960.  Ink on paper, 30.2 x 30.8 cm.
Agnes Martin, Wood 1, 1963.  Watercolour and graphite on paper, 38.1 x 39.4 cm.
Agnes Martin, Starlight, 1963.Watercolour and ink on paper, 20.3 x 20.3 cm
Agnes Martin, Untitled, 1960. Pen and ink on paper, 27.9 x 27.9 cm.
Agnes Martin, Orchards of Lightning, 1966.  Pen and ink on paper, 29.8 x 23.8 cm.
Agnes Martin, Untitled, 1962.  Oil and graphite on canvas, 30.5 x 30.5 cm.
Source: de Zegher, Catherine and Hendel Teicher, editors, 3, X  A, B  STR, ACTION, New Methods of Drawing: Hilma Klint, Emma Kunz, Agnes Martin.  Published on the occasion of the exhibition, The Drawing Centre, New York.  New Haven and London: Yale University Press,  2005. 

Outsider Art, Palais Ideal, Ferdinand Cheval, built 1879 -1912. Image from Outsider Art. Spontaneous Alternatives. Colin Rhodes. Thames & Hudson, 2000. page 180

Outsider Art,Watts Towers Simon Rodia, built 1921 – 1954.  Image from Outsider Art, page 182

Outsider Art,The Rock Garden Nek Chand, built 1965, photograph by Josephine Regan, 1999.

Abstract Expressionism,  Agnes Martin image from Vanity Fair March 1989 Mark Stevens "Thin Grey Line" Art section article. page 50, 54, 56.(Found as torn out magazine pages inside a second-hand book)

Three Works, Franscesco Albani. Study for the Head of Europa (Edinburgh, National Gallery of Scotland). Source, Master Drawings Vol XLIV/ number 3/2006, 44, figure 30.  (Bill Robertson Library Per 741 MAS)

‘Keep Walking Intently’ Lisa Moren and Margaret Re.  Source, Visible Language. 40.1. Ken Friedman and Owen F Smith, eds., Special Issue Part 2. Fluxus After Fluxus, http://www.id.iit.edu/visiblelanguage/  Rhode Island School of Design, 2006. page 31 – 43

Jasper Johns, Bridge 1997, oil on canvas with objects. Source, Master Drawings Vol XLIV, figure 5.

Differánce, Jean-Marc Bustamante, T. 10. 01/2001, C-print 240 x 160 cm, Source, Doris von Drathen, Vortex of Silence: Proposition for an Art Criticism beyond Aesthetic Categories, (Milan: Charta, 2004), 83. 'Jean-Marc Bustamante 'Private Crossing'. (1) and (LP1/2000)

Jean-Marc Bustamante, LP I/2000, C-print , 227x 180 cm. Source Doris von Drathen, Vortex of Silence, 86.